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| # | Item | Wins | Losses | Wins + Losses | Score |
|---|---|---|---|---|---|
| 1 | I'd like | 0 | 0 | 0 | 0 |
| 2 | please http://www.ohword.com/buy-a-speech-and-outline/ custom nursing school admission essays One can appreciate these possibilities | 0 | 0 | 0 | 0 |
| 3 | and be curious to see the results | 0 | 0 | 0 | 0 |
| 4 | while hoping that it will remain open to filmmakers to revert to two dimensions – as Hitchcock did (making e.g. Rear Window | 0 | 0 | 0 | 0 |
| 5 | Vertigo and Psycho). The return | 0 | 0 | 0 | 0 |
| 6 | indeed | 0 | 0 | 0 | 0 |
| 7 | to cinema’s black-and-white past in current or forthcoming films like Much Ado About Nothing | 0 | 0 | 0 | 0 |
| 8 | Frances Ha | 0 | 0 | 0 | 0 |
| 9 | A Field in England and Nebraska reminds us that technology is only a tool | 0 | 0 | 0 | 0 |
| 10 | and that the beauty of cinema takes various forms: its power to abstract | 0 | 0 | 0 | 0 |
| 11 | suggest and arouse our imaginations can be as important as its power to show | 0 | 0 | 0 | 0 |
| 12 | tell and astonish. While we wait to see what happens | 0 | 0 | 0 | 0 |
| 13 | many of us will be just as excited by Noah Baumbach’s lovely Frances Ha as by the remarkable Cuarón’s no doubt exhilarating Gravity – and as | 0 | 0 | 0 | 0 |
| 14 | of course | 0 | 0 | 0 | 0 |
| 15 | by Dial M for Murder in the form Hitchcock intended. | 0 | 0 | 0 | 0 |
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